In “Captain America: Civil War,” the billionaire hero who builds his own hologram interfaces and super suits chooses to wield a transparent concept phone by Vivo
, a brand sold only in China.
It’s just the latest example of how Hollywood is appealing to China in the midst of a major box office boom.
Last year, China’s movie market surged 49% to reach $6.78 billion
, while the North American market grew around 8% to $11.1 billion.
China’s cinema build-out is also powering ahead at a breathtaking rate.
There are currently more than 31,600 cinema screens in China
. Last year, it added an average of 22 screens a day.
“The world’s biggest population has time and they have money,” adds Shanghai-based correspondent for the Wall Street Journal, James T. Areddy.
“For the first time, people are working five days a week, they have their weekends off, they have their car … and they are looking for some kind of entertainment.”
Fueled by a rising economy and a building boom, industry watchers agree that China will be the world’s largest market for films in the next few years.
“When I moved to China in 2003, China’s box office was smaller than Hong Kong with 6 million people. It’s now the second biggest in the world and very soon it will be the biggest,” says Clifford Coonan, Irish Times correspondent and former Asia Bureau Chief for The Hollywood Reporter.
Within 27 days of its release, it crossed the $500 million mark domestically — a major milestone in Chinese cinema. But outside China, “The Mermaid” failed to make a global splash.
“Watching people fall into swimming pools and get wet and having bad things happen to them, in a way that’s hilarious” says Areddy. “But it’s hard to see it playing in the West in the same way it does here in China.”
Ultimately, “The Mermaid” earned a paltry $3.2 million in North America.
China friendly plotlines
But while Lu gently pushes back, a number of Western movie producers are appealing to Chinese authorities and advertisers with China-friendly plotlines and product placement opportunities, prompting many movie fans to wonder if Hollywood is afraid to use a Chinese villain in their movies.
“The Chinese state shows no cracks in its control of content that reaches people,” says Areddy. “It raises the question about whether it has been a hindrance to making the successful global movie.”
An important test case for China will be the upcoming movie, “The Great Wall” — the first film to emerge from the Legendary East unit of Legendary Entertainment, the Hollywood studio recently purchased by Chinese tycoon Wang Jianlin.
With a reported budget of around $135 million, the fantasy action film is directed by celebrated Chinese director Zhang Yimou and stars Matt Damon and Andy Lau among others. It’s set for a worldwide release in early 2017.
“If it works, it could change the whole industry,” says Coonan. “If it doesn’t work, I don’t think the industry is going to suffer, but people will start rethinking things again.”
China may be a world power, but it’s not an entertainment power just yet. Lu Chuan says he feels the pressure to change that.
“The last year I’ve been to Los Angeles 11 times. I am trying to learn how the big studios work on movies, and I’m reading a lot of English scripts,” he says.
“It’s my dream to work with talented American scriptwriters and producers. That will help me make my next movie bigger and more beautiful.”